BEHIND THE SCENES
BEHIND THE SCENES
BEHIND THE SCENES
BEHIND THE SCENES
BEHIND THE SCENES
BEHIND THE SCENES
EXPLORE+PLAY
EXPLORE+PLAY
CREATE
EXPLORE+PLAY
CREATE
EXPLORE+PLAY
CREATE
THE MAKING OF
THE MAKING OF
Stories captivate us. I'm intrigued by stories of people, places and things and I enjoy observing how things are made. These moments can be hypnotising and the curiosity draws us in further. The credits rolling at the end of a film also has a story connection, with effective execution, minimal type, and capturing unique props from the narrative, they can make what is usually a dull credits sequence look fairly compelling. I studied fine art and graphic design in college and my photographic explorations have also shaped my understanding of experimentation and narrative.
Experiment. This is what makes us. Test, play and explore — and see what happens.
Stories captivate us. I'm intrigued by stories of people, places and things and I enjoy observing how things are made. These moments can be hypnotising and the curiosity draws us in further. The credits rolling at the end of a film also has a story connection, with effective execution, minimal type, and capturing unique props from the narrative, they can make what is usually a dull credits sequence look fairly compelling. I studied fine art and graphic design in college and my photographic explorations have also shaped my understanding of experimentation and narrative.
Experiment. This is what makes us. Test, play and explore — and see what happens.
Stories captivate us. I'm intrigued by stories of people, places and things and I enjoy observing how things are made. These moments can be hypnotising and the curiosity draws us in further. The credits rolling at the end of a film also has a story connection, with effective execution, minimal type, and capturing unique props from the narrative, they can make what is usually a dull credits sequence look fairly compelling. I studied fine art and graphic design in college and my photographic explorations have also shaped my understanding of experimentation and narrative.
Experiment. This is what makes us. Test, play and explore — and see what happens.
Stories captivate us. I'm intrigued by stories of people, places and things and I enjoy observing how things are made. These moments can be hypnotising and the curiosity draws us in further. The credits rolling at the end of a film also has a story connection, with effective execution, minimal type, and capturing unique props from the narrative, they can make what is usually a dull credits sequence look fairly compelling. I studied fine art and graphic design in college and my photographic explorations have also shaped my understanding of experimentation and narrative.
Experiment. This is what makes us. Test, play and explore — and see what happens.
Stories captivate us. I'm intrigued by stories of people, places and things and I enjoy observing how things are made. These moments can be hypnotising and the curiosity draws us in further. The credits rolling at the end of a film also has a story connection, with effective execution, minimal type, and capturing unique props from the narrative, they can make what is usually a dull credits sequence look fairly compelling. I studied fine art and graphic design in college and my photographic explorations have also shaped my understanding of experimentation and narrative.
Experiment. This is what makes us. Test, play and explore — and see what happens.
DESIGNING
DESIGNING
SYSTEMS
DESIGNING
SYSTEMS
DESIGNING
SYSTEMS
LOVE A GOOD BRIEF!
LOVE A GOOD BRIEF!
I’ve been in the industry for almost 20 years and worked with some exceptionally talented and professional people. As a UX/UI Designer I create wireframes, user flows, apps, responsive design and more. Figma is my go-to software, building design systems and interactive/animated prototypes. Photoshop and Illustrator are still an essential part of the toolkit.
UX wireframes can certainly adapt and change overtime. Setting the UI and creative foundations early on is paramount ie. grids and component libraries. My preference is to use components and variants, mainly for a clean and efficient workflow. It is an iterative process, therefore the more organised the file, the better! Figma is an ideal space for team members to review and export assets for developers as needed.
Depending on the project I am usually provided with a base concept outlining the project objectives and deliverables. All brand assets (fonts, guidelines etc) are requested before kickoff. Ideation and discovery can be part of my workflow. Our teams must work closely to achieve various milestones from user testing to final launch.
Many projects I've worked on can't be shared due to NDA. But if you would like more information please email me julietlall@gmail.com.
I’ve been in the industry for almost 20 years and worked with some exceptionally talented and professional people. As a UX/UI Designer I create wireframes, user flows, apps, responsive design and more. Figma is my go-to software, building design systems and interactive/animated prototypes. Photoshop and Illustrator are still an essential part of the toolkit.
UX wireframes can certainly adapt and change overtime. Setting the UI and creative foundations early on is paramount ie. grids and component libraries. My preference is to use components and variants, mainly for a clean and efficient workflow. It is an iterative process, therefore the more organised the file, the better! Figma is an ideal space for team members to review and export assets for developers as needed.
Depending on the project I am usually provided with a base concept outlining the project objectives and deliverables. All brand assets (fonts, guidelines etc) are requested before kickoff. Ideation and discovery can be part of my workflow. Our teams must work closely to achieve various milestones from user testing to final launch.
Many projects I've worked on can't be shared due to NDA. But if you would like more information please email me julietlall@gmail.com.
I’ve been in the industry for almost 20 years and worked with some exceptionally talented and professional people. As a UX/UI Designer I create wireframes, user flows, apps, responsive design and more. Figma is my go-to software, building design systems and interactive/animated prototypes. Photoshop and Illustrator are still an essential part of the toolkit.
UX wireframes can certainly adapt and change overtime. Setting the UI and creative foundations early on is paramount ie. grids and component libraries. My preference is to use components and variants, mainly for a clean and efficient workflow. It is an iterative process, therefore the more organised the file, the better! Figma is an ideal space for team members to review and export assets for developers as needed.
Depending on the project I am usually provided with a base concept outlining the project objectives and deliverables. All brand assets (fonts, guidelines etc) are requested before kickoff. Ideation and discovery can be part of my workflow. Our teams must work closely to achieve various milestones from user testing to final launch.
Many projects I've worked on can't be shared due to NDA. But if you would like more information please email me julietlall@gmail.com.
I’ve been in the industry for almost 20 years and worked with some exceptionally talented and professional people. As a UX/UI Designer I create wireframes, user flows, apps, responsive design and more. Figma is my go-to software, building design systems and interactive/animated prototypes. Photoshop and Illustrator are still an essential part of the toolkit.
UX wireframes can certainly adapt and change overtime. Setting the UI and creative foundations early on is paramount ie. grids and component libraries. My preference is to use components and variants, mainly for a clean and efficient workflow. It is an iterative process, therefore the more organised the file, the better! Figma is an ideal space for team members to review and export assets for developers as needed.
Depending on the project I am usually provided with a base concept outlining the project objectives and deliverables. All brand assets (fonts, guidelines etc) are requested before kickoff. Ideation and discovery can be part of my workflow. Our teams must work closely to achieve various milestones from user testing to final launch.
Many projects I've worked on can't be shared due to NDA. But if you would like more information please email me julietlall@gmail.com.
I’ve been in the industry for almost 20 years and worked with some exceptionally talented and professional people. As a UX/UI Designer I create wireframes, user flows, apps, responsive design and more. Figma is my go-to software, building design systems and interactive/animated prototypes. Photoshop and Illustrator are still an essential part of the toolkit.
UX wireframes can certainly adapt and change overtime. Setting the UI and creative foundations early on is paramount ie. grids and component libraries. My preference is to use components and variants, mainly for a clean and efficient workflow. It is an iterative process, therefore the more organised the file, the better! Figma is an ideal space for team members to review and export assets for developers as needed.
Depending on the project I am usually provided with a base concept outlining the project objectives and deliverables. All brand assets (fonts, guidelines etc) are requested before kickoff. Ideation and discovery can be part of my workflow. Our teams must work closely to achieve various milestones from user testing to final launch.
Many projects I've worked on can't be shared due to NDA. But if you would like more information please email me julietlall@gmail.com.
FOCUS.
FOCUS.
FOCUS.
CAPTURE.
CAPTURE.
The art of image creation
The art of image creation
My interest in digital photography began almost 23 years ago. My practice has developed while travelling to various locations such as Mexico, Morocco, Paris, San Francisco, Thailand, Vietnam, Colombia and China.
I have a keen interest in features such as lines, patterns, colours and texture and love to capture landscapes, architecture, nature, portraits and much more. Smaller photographic gigs include Art Fund, Beyond Twenty Ltd, P&G and Jaguar, as well as countless retouching and Photoshop compositing work.
The Diploma in Photography was completed in 2022 at the British Academy of Photography with Distinction. The course has heightened my technical awareness while elevating conceptual ideas for art. My studies and collections involve juxtaposed textures — the polar extremes of natural and man-made structures is an intriguing comparison of originality and tradition. I use a combination of Lightroom, Photoshop, Facet and Illustrator to create rich artistic compositions. My experience has influenced and supported digital design work over the years. Understanding various photographic principles, equipment, and terminology can support activities such image sourcing, lighting, colour theory, composition and… storytelling.
My interest in digital photography began almost 23 years ago. My practice has developed while travelling to various locations such as Mexico, Morocco, Paris, San Francisco, Thailand, Vietnam, Colombia and China.
I have a keen interest in features such as lines, patterns, colours and texture and love to capture landscapes, architecture, nature, portraits and much more. Smaller photographic gigs include Art Fund, Beyond Twenty Ltd, P&G and Jaguar, as well as countless retouching and Photoshop compositing work.
The Diploma in Photography was completed in 2022 at the British Academy of Photography with Distinction. The course has heightened my technical awareness while elevating conceptual ideas for art. My studies and collections involve juxtaposed textures — the polar extremes of natural and man-made structures is an intriguing comparison of originality and tradition. I use a combination of Lightroom, Photoshop, Facet and Illustrator to create rich artistic compositions. My experience has influenced and supported digital design work over the years. Understanding various photographic principles, equipment, and terminology can support activities such image sourcing, lighting, colour theory, composition and… storytelling.
My interest in digital photography began almost 23 years ago. My practice has developed while travelling to various locations such as Mexico, Morocco, Paris, San Francisco, Thailand, Vietnam, Colombia and China.
I have a keen interest in features such as lines, patterns, colours and texture and love to capture landscapes, architecture, nature, portraits and much more. Smaller photographic gigs include Art Fund, Beyond Twenty Ltd, P&G and Jaguar, as well as countless retouching and Photoshop compositing work.
The Diploma in Photography was completed in 2022 at the British Academy of Photography with Distinction. The course has heightened my technical awareness while elevating conceptual ideas for art. My studies and collections involve juxtaposed textures — the polar extremes of natural and man-made structures is an intriguing comparison of originality and tradition. I use a combination of Lightroom, Photoshop, Facet and Illustrator to create rich artistic compositions. My experience has influenced and supported digital design work over the years. Understanding various photographic principles, equipment, and terminology can support activities such image sourcing, lighting, colour theory, composition and… storytelling.
My interest in digital photography began almost 23 years ago. My practice has developed while travelling to various locations such as Mexico, Morocco, Paris, San Francisco, Thailand, Vietnam, Colombia and China.
I have a keen interest in features such as lines, patterns, colours and texture and love to capture landscapes, architecture, nature, portraits and much more. Smaller photographic gigs include Art Fund, Beyond Twenty Ltd, P&G and Jaguar, as well as countless retouching and Photoshop compositing work.
The Diploma in Photography was completed in 2022 at the British Academy of Photography with Distinction. The course has heightened my technical awareness while elevating conceptual ideas for art. My studies and collections involve juxtaposed textures — the polar extremes of natural and man-made structures is an intriguing comparison of originality and tradition. I use a combination of Lightroom, Photoshop, Facet and Illustrator to create rich artistic compositions. My experience has influenced and supported digital design work over the years. Understanding various photographic principles, equipment, and terminology can support activities such image sourcing, lighting, colour theory, composition and… storytelling.
